Showing posts with label 2014 books. Show all posts

Book Review: Information Doesn't Want to Be Free by Cory Doctorow

At first glance, it may be tempting to dismiss Information Doesn't Want to Be Free: Laws for the Internet Age as a dry, dull account of copyright law as it relates to the Internet. But Cory Doctorow (Little Brother; Makers), coeditor of Boing Boing, is anything but boring, and this is a McSweeney's publication. Doctorow's short little book presents a fascinating and thought-provoking account of the laws, the Web and how the two struggle to coexist.

Doctorow structures his argument around three basic rules for understanding--and engaging with--copyright law online. The first rule addresses digital locks, including digital rights management (DRM), while the second moves on to the importance of distribution for achieving fame, and vice versa. The third, which gives the book its title, explores regulations, human rights and censorship. Taken together, Doctorow's rules present a multifaceted approach to understanding these potentially confusing laws, from what motivated governments to pass some of the first copyright regulations to more recent U.S. legislation, such as SOPA, PIPA and net neutrality. 

Lest the theory behind these laws become too esoteric, Doctorow peppers his work with real-life examples of regulations in action online; lest it become too detailed to be easily understood, he offers analogies that bring the legalese back down to earth. Introductions from Neil Gaiman and Amanda Palmer make an incredible work even more impressive. Information Doesn't Want to Be Free is the most entertaining and informational book on copyright law you'll ever read.

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A copy of this title was provided by the publisher for review.
Information Doesn't Want to Be Free | Cory Doctorow, introd. Neil Gaiman and Amanda Palmer | McSweeney's | November 2014 | Buy from an independent bookstore near you

Book Review: God'll Cut You Down, by John Safran

This review originally ran in Shelf Awareness for Readers. Reprinted here with permission.

John Safran--a young, white, Jewish Australian who makes comedy films--seems an unlikely candidate to write a true-crime book, but that's what he's done with God'll Cut You Down: The Tangled Tale of a White Supremacist, a Black Hustler, a Murder, and How I Lost a Year in Mississippi. It explores the murder of Richard Barrett, a white supremacist, by Vince McGee, his black neighbor. Safran heads to Mississippi expecting a case tinged with the embedded racism of the South. What he finds instead is a complicated crime with no clear motive--race or otherwise.

The account of the author's yearlong investigation can be hard to follow: short sections with strange titles track Safran's moves through time, from one interview to the next, which presents the story in the order Safran uncovered it rather than the order in which the events happened. His journalistic approach can be brusque and perhaps misguided at times, as when he can't pay the convicted murderer for an interview outright, but gets around that law by giving McGee prepaid charge cards from Walmart. But his candid, informal style is endearing, revealing that God'll Cut You Down is as much the story of how Safran learned to write about crime as it is the story of why Barrett was murdered. Despite Safran's best noodling and puzzling and nagging of the police, lawyers, witnesses, family and friends of both the convicted murderer and the victim, the story of that murder is never made entirely clear; the entertainment comes from reading about Safran's experiences as an outsider snooping around an insular community.

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A copy of this title was provided by the publisher for review.
God'll Cut You Down | John Safran | Riverhead | Hardcover | 368 pages | Buy from an independent bookstore near you

The Numbers Are In: 2014 in Reading Stats

I love stats. Numbers, pie charts, graphs, comparisons: it all makes me giddy. Reading stats are no exception. Without further ado...



I use this spreadsheet to track my reading (the first tab is where I input all data; the second tab contains all calculations). Feel free to grab it for yourself if you're interested in tracking your own reading stats; I'm happy to help adjust formulas or answer questions if I can!

A Year in Reading: Best of the Books

It's that magic time of year, friends! When book lists and best-of lists and year-end lists and round-up lists abound. Always a sucker for a good list, here's my attempt to narrow down my reading year into a few don't-miss-'em-can't-miss-'em favorites:

Fiction


Most Powerful: Redeployment, by Phil Klay
Klay's book tackles the subject of war and its lasting impact on those who fight it with a bluntness that is startling and effective. I cried after most, if not all, of these stories, and have been pushing it into the hands of everyone I know ever since. (Full review.)

Hardest to Talk About: An Untamed State, by Roxane Gay
It's impossible to recommend a book so brutal, and impossible not to recommend it at the same time. (Full review.)

Best Prose: Dept. of Speculation, by Jenny Offill
Offill's short novel of a marriage reads more like vignettes than a narrative story. And that's a wonderful thing. Couple that with some of the best stand-alone sentences I've ever read, and how can I not recommend it? (Full review.)

Most Unexpected: Station Eleven, by Emily St. John Mandel
This is a post-apocalyptic novel for people who don't like post-apocalyptic novels. And for people who do like post-apocalyptic novels. And for everyone else, too. This snuck up on me in a way I wasn't prepared for, but that I adored. Smart and impeccably imagined and I can't wait to read more of Mandel's work.

Feminism at Its Finest: Florence Gordon, by Brian Morton
I read Florence Gordon solely at the urging of Shannon from River City Reading. And hot damn, she was right. The crotchety, particular old lady who gives the book its name is a stunning, compelling character--and the family surrounds her is just as nuanced and refined. Morton's done something amazing here, and I wish all feminists, would-be feminists, anti-feminists, and others would give this one a chance.

Backlist Pick: The Sparrow, by Mary Doria Russel
It was hard not to pick The Wife by Meg Wolitzer for this slot, but ultimately, The Sparrow proved one of the most powerful and thought-provoking books I read all year. It had been on my shelf for ages and I'm kicking myself for not picking it up sooner.

Non-Fiction


Memoir/Biography: The Short and Tragic Life of Robert Peace, by Jeff Hobbs
Hobbs' account of his college roommate's life--and untimely death--is the story of a man, but it is also the story of poverty in our country. Peace's life ended early, but the lessons we can learn from it don't have to. Read this. (Full review.)

Nerd Out: How Star Wars Conquered the Universe, by Chris Taylor
Kind of a no-brainer for anyone with a passing interest in Star Wars. But it's also an interesting account of how one of the most unlikely movies--the original Star Wars--became a pop culture sensation. (Full review.)

History: Hotel on the Place Vendome, by Tilar Mazzeo
There was something fascinating to me about this account of the history of the Hotel Ritz in Paris. Mazzeo's account spans the entirety of the 20th century (and some of the 19th and 21st) through the lens of one building, and it is astonishing to realize how central and important four walls and a ceiling can be. (Full review.)

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What were the best books you read this year?


Watch and Read: The Princess Bride Edition

The Princess Bride is impossible to summarize or place in one genre: a farmboy is hopelessly in love with the most beautiful girl in the world, so goes off to seek his fortune; a princess is captured by a group of criminals-for-hire; a swordsman is sworn to revenge the death of his father by killing a six-fingered man; the Dread Pirate Roberts is terrorizing the seas and capturing ships; a prince wants to start a war with a neighboring nation; etc., etc., etc.


If you haven't read the novel, by William Goldman, that's a good place to start: though the beloved movie remains relatively close to the novel (as movie adaptations go, at any rate), there are some gems in the book that don't make it onto the big screen (Prince Humperdinck's Zoo, for one). Goldman structures the novel as an abridgement of an even older novel by S. Morgenstern, compiling only the good bits; this framing can sometimes be distracting (the "original" novel by S. Morgenstern is an invention of Goldman's imagination), but is mostly entertaining, as Goldman interjects with his own "author's commentary" throughout the story.


Post-novel: the movie. If you somehow have made it through the last 25 years without seeing The Princess Bride, I'm... not even sure where to begin. It's simply inconceivable. But whether you've seen it or not, it's worth watching the movie after reading the novel to see how Goldman adapted the story for the big screen (Goldman wrote the screenplay).



Post-movie viewing: Cary Elwes' memoir, As You Wish: Inconceivable Tales from the Making of The Princess Bride. If you're an audiobook fan, I recommend this one on audio (it's narrated by Elwes himself, with guest appearances from Robin Wright, Christopher Guest, Billy Crystal, and others from the cast of the movie). Elwes tells all about the making of the movie, and it's an absolute delight to be treated to "insider" stories of this beloved film.

Some fun facts: 
Cary Elwes and Mandy Patinkin trained for nearly 40 hours a week in swordplay so they could perform the big duel--noted in the novel to be the greatest swordfight in history--themselves (and, with the exception of a few large gymnastic-esque tricks, they did it, even though Cary had a broken toe at the time).  
Cary Elwes had to be replaced by a dummy of Cary Elwes in the Miracle Max scene (when he's mostly dead on the table), because he couldn't stop laughing during the cuts with Billy Crystal and Carol Kane (all of which were improvised, by the way). Mandy Patinkin had to be on the set for that scene--he has lines there, and isn't mostly dead, after all--and tried so hard to stop laughing on camera that he bruised a rib during the shooting. 
And one more, for good measure: The ROUSes were actually played by men in rat suits. Who knew?
Reading (or listening to) As You Wish is something like attending a cast party rolled into the kindest high-school reunion imaginable. Elwes has nothing but praise and compliments for the cast and crew of the film, and his insider stories are delightful, not scandalous. It's an absolute treat for anyone who's been interested in (or in love with, take your pick) the movie for any period of time.


For good measure, it's worth it to go back and watch the movie again after hearing Elwes' stories of the making of. There are things there you never would have noticed before, and things you'll appreciate more because of his account. Plus, it's the kind of movie made to be watched again and again... and again and again and again, as you wish.

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The Princess Bride | William Goldman | Mariner Books | Mass Market Paperback | 511 pages | Buy from an independent bookstore near you

A copy of this title was provided by the publisher for review:
As You Wish | Cary Elwes, narrated by Cary Elwes (introduction written and read by Rob Reiner) | Simon & Schuster Audio | ~7 hours | Buy from an independent bookstore near you

Nonfiction November: The Year in Review


My reading stats this year skew heavily towards fiction, as they always do (I'm currently hovering around 18% nonfiction). While I haven't read a great number of non-fiction titles, perhaps the fact that the volume is limited means I'm more selective in my non-fiction selects, because a surprising number of these 18% are stand-out books that I've recommended time and again over the course of the year:


But my favorite of the year so far? The Short and Tragic Life of Robert Peace, a book I haven't yet spent much time discussing because it has taken me the last few months to truly process the powerful story within its pages. Jeffrey Hobbs' biography of Robert Peace, his college roommate, is heartfelt and powerful, well-researched and well-written, and reveals not only a life, as all biographies due, but the context in which that life was lived, which only the best biographies accomplish. I barely scratched the surface of this in my full review, but the story of Peace's short, and indeed tragic, life has stayed with me for month after month.

Interesting, my favorite nonfiction read of the year has not been the one I've recommended the most. That title falls to either Hotel on the Place Vendome, which tells a story of World War I and World War II history through the narrow lens of the Hotel Ritz in Paris, or Bad Feminist, Roxane Gay's amazing and inspiring collection of personal essays on everything from race to sexuality to Scrabble.

Though I've read several memoirs and a few history books this year, The Short and Tragic Life of Robert Peace marked the only true biography in my list--and given how much I loved the biographical approach to learning about a subject (in this case, poverty in America) and a time period, I wish I explored more biographical histories in my nonfiction reading.

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Which brings me to this year's Nonfiction November, kicking off this week (and thanks to Kim at Sophisticated Dorkiness for hosting this week!). Because my nonfiction reading has been so low overall, my only goal for the month is to make a concerted effort to read more of the nonfiction on my list.

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My curious mind wants to know, as I dive into Nonfiction November, what your favorite nonfiction reads of the year have been?


Book Review: The Visitors, by Sally Beauman

Originally published in the July 11, 2014 issue of Shelf Awareness for Readers. Reprinted here with permission. If you don't already receive it, sign up here to receive a bi-weekly dose of readerly goodness in your inbox.

With The Visitors, Sally Beauman (Rebecca's Tale) transports readers back to Egypt in the 1920s, when explorers, archeologists and historians searched for uncovered tombs of Egyptian pharaohs and the riches they were thought to contain--a time of mystery and discovery for which no parallel exists today. The Visitors weaves together the imagined observations of Lucy, an 11-year-old girl traveling to Egypt with her guardian, and real historical characters, including Howard Carter and Lord Carnavon, two British men credited with the discovery of King Tutankhamun's tomb.

Much of Beauman's novel is told in the elderly Lucy's recollections of her childhood travels, combined with her memories of her family life at the time. While the tales of faraway Egypt are far more interesting than the family politics of Lucy's life, the two narratives combine to present a full picture of Lucy and how her life has been shaped by the events she witnessed abroad. Her naïveté as a young girl stands in stark contrast to her full understanding of the enormity of the discovery of King Tut's tomb--and the secrets that surrounded that momentous event--as an adult.

The Visitors is large and ambitious, covering subjects as disparate as the legacy of grave robbers in ancient Egypt and the political tension between the local government and foreign archeologists. Though the great secret to which Lucy's story builds could potentially be lost in the sea of recollections about her family life, keen readers will find suspense, excitement and ambition in Beauman's nuanced, intriguing story.
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The Visitors | Sally Beauman | Harper | Hardcover | July 2014

Book Review: The Girl with All the Gifts, by M.R. Carey

Originally published in the June 13, 2014 issue of Shelf Awareness for Readers. Reprinted here with permission. If you don't already receive it, sign up here to receive a bi-weekly dose of readerly goodness in your inbox.

It's tempting to believe that the post-apocalyptic zombie novel has been done to death, but M.R. Carey (The Naming of the Beasts, writing as Mike Carey) proves that the genre has life in it yet. Carey's The Girl with All the Gifts opens in "The After," which is what survivors call the new era after the outbreak of an unknown and uncontrollable virus that, yes, turns its victims into the walking dead. Here, 10-year-old Melanie wakes each morning in her cell, climbs into her wheelchair, and waits for soldiers to strap her in and wheel her off to school.

When a rival clan of survivors seeking food and resources attacks the cellblock in which Melanie lives, she finds herself launched out of her secluded life and into the dangerous world outside, full of abandoned towns, ransacked grocery stores and hundreds upon hundreds of the infected, known as "hungries." Luckily, she's not alone--she is with Miss Justineau, her favorite teacher, as well as two soldiers and a scientist. But as the small group ventures farther into the land formerly known as England, Melanie finds within herself a hunger she never knew existed, and her slow and steady approach toward self-awareness becomes as suspenseful as the small group's dangerous journey toward safer land.

The Girl with All the Gifts functions like a set of nesting dolls: Melanie's coming-of-age tale sits within her story of self-realization, resting inside a novel of scientific discovery, cradled by an impressive re-imagining of a post-apocalyptic world. All together, those pieces combine into one zombie novel impressively steeped in human emotion.
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Thoughts from other bookworms:

Liberty Hardy (at Book Riot): 5 Books to Watch for in June
Niall Alexander (at Tor.com): Subject Number One: The Girl with All the Gifts by M.R. Carey
Clare McBride (at the Literary Omnivore): Review: The Girl with All the Gifts

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The Girl with All the Gifts | M.R. Carey | Orbit | June 2014 | Hardcover | 416 pages