The Swan Thieves is Kostova's sophomore novel, following her well-received Dracula-based novel,
The Historian. The premise is simple but strikingly complex: Robert Oliver, a famous painter, suffers some kind of mental breakdown and attacks a painting in the National Gallery, and his dedicated psychiatrist aims to find out why. Robert refuses to speak after his first day in the mental hospital, leaving his doctor, Marlow, to find out what has happened. Through the voices of characters from Robert's past, Kostova reveals a complicated and complex history to Robert.
Through these characters, both modern-day and from 19th-century France, Kostova weaves a beautiful tale of love, art, and obsession. Her story is long, deep and incredibly detailed, simple yet complicated, and full of passion - for love, for art, for psychiatry, for human relationships, for France, for history, and for every small detail that life offers forth. Her writing is pure and simple, but her vivid descriptions are breathtaking, and - as all great writing should - quite literally open readers' eyes to a world as yet unseen, a set of descriptions as yet unknown.
Lovers of art and art historians are sure to appreciate the incredible research that is sure to have gone into this work, from descriptions of the National Portrait Gallery and the Metropolitan Museum of Art to those of Monet's brushstrokes, Degas' ballerinas, and Robert Oliver's careful and somehow carefree sketches. Readers that enjoy psychology and the inner workings of behavior and relationships will appreciate Marlow's musings on Robert's strange issues. And those who simply enjoy a passionate, talented writer are sure to value Kostova's incredible ability to pinpoint the smallest of actions, the tiniest of details, proving her as much an artist as those impressionists she describes throughout the novel, as much a psychologist as Dr. Marlow himself.
Bottom line: Whether or not you have read
The Historian,
The Swan Thieves is bound to make a Kostova fan out of any who read it. This is great writing, not good. Existing fans of Kostova will enjoy a second chance to see the world through her clever, detailed pen, and those new to her work (such as myself), will find a new author to watch for - and find themselves on a mission to read
The Historian as soon as possible. With crisp characters, an ear for history and an eye for detail,
The Swan Thieves is a phenomenal addition to the world of modern literature, and personally, I am excited to see what other great works lay in the wings of Kostova's literary stage.
Audio review: I listened to this
book on CD, from Hachette Audio. The audio version of this book is spectacularly done, with five actors offering voices for the five main narrators of the story. Astounding, all five have voices that one could fall into, listening to for hours - lucky, since the unabridged CDs number 17, and offer over 20 hours of listening pleasure. The actors - or their voices, anyway - are well-cast, well-read, and never over-acted or over-done. Narrators change from one chapter to the next, but only as Kostova has written different chapters from different points of view - any dialogue within a chapter is done by the narrator, not in an exchange of voices.
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Disclosure: I won a copy of this from the
All About {n} blog (thank you!), and my copy was shipped to me from Hachette Audio.
Sadly, this one is only a design and isn't for sale... which is too bad because it's an absolute stroke of genius. (As seen on Coolest Gadgets)
The Swan Thieves is Kostova's sophomore novel, following her well-received Dracula-based novel, The Historian. The premise is simple but strikingly complex: Robert Oliver, a famous painter, suffers some kind of mental breakdown and attacks a painting in the National Gallery, and his dedicated psychiatrist aims to find out why. Robert refuses to speak after his first day in the mental hospital, leaving his doctor, Marlow, to find out what has happened. Through the voices of characters from Robert's past, Kostova reveals a complicated and complex history to Robert.
